Stand With Standing Rock: Awakening the Indigenous in All of Us
- When: November 20, 2016 Time: 5:00 pm - 8:00 pm
- Where: eTOWN HALL / 1535 Spruce Street, Boulder, CO 80302
- Cost: $35 - $100
Join us for a Rally and Fundraiser for Standing Rock, and all the Water Protectors on the front lines. Igniting an Indigenous Nation, honoring Grandmother Earth. Reconnecting and restoring People and Planet.
GEORGIA MIDDLEMAN is an award-winning songwriter from San Antonio, TX who has had songs recorded by Faith Hill, Kenny Chesney, Reba McEntire, Joe Nichols, Martina McBride, Sheila E., Radney Foster, Maia Sharp and many others. In 2011, she watched her song “I’m In” climb to the top of the country charts, courtesy of Keith Urban. Her song “When The Right One Comes Along” was featured in the ABC T.V. show “Nashville.” Georgia has recorded three solo cds (currently working on her fourth) and when she’s not performing solo, she’s performing as half of Middleman Burr along with her husband Gary Burr and as one-third of the trio Blue Sky Riders along with Gary Burr and Kenny Loggins.
Born and raised on the Yankton Sioux Reservation in South Dakota, INDIGENOUS front man Mato Nanji (Ma-TOE NON-gee) dedicates his latest release Time Is Coming (on Blues Bureau International) to the indigenous youth and all young people on the indigenous reservations.
Mato Nanji’s father, the late Greg Zephier, Sr., was a well-known and highly respected spiritual advisor and spokesperson for the International Indian Treaty Council. In addition to this leadership role, he was an accomplished musician and a member of the musical group, The Vanishing Americans. Formed by Greg and his brothers in the ‘60’s, The Vanishing Americans toured nationally and shared bills with such legends as Bonnie Raitt. Besides being heavily influenced by the music his father and uncles were making, Mato was exposed to Greg’s vast collection of blues records by legendary artists such as Jimi Hendrix, Stevie Ray Vaughan and B.B. King. Consequently, Mato embraced and began utilizing his own musical talent at a young age. With the experience, love and wisdom of their father to guide them, Mato, his brother, sister and cousin formed the band Indigenous while in their late teens.
After much time invested in practicing and building a following, they began touring extensively across the country. In 1998, they released their award winning debut album Things We Do. The title track’s video, directed by Chris Eyre (Smoke Signals), won the American Indian Film Festival Award and was shown at the prestigious Sundance Film Festival. Indigenous’ music caught the attention of blues icon B.B. King and the young band was invited to play on his annual B.B. King’s Blues Tour in 1999. Sadly, Mr. Zephier would pass away before seeing his children receive this great honor.
With momentum gaining, Indigenous’ 2000 sophomore release, Circle, was produced and arranged by Stevie Ray Vaughan’s longtime friend and collaborator, the late Doyle Bramhall, Sr. Three more cds; Fistful of Dirt(2002), Indigenous (2003) and Long Way Home (2005) would follow before the 2006 decision by the siblings to ‘disband’ and pursue their own musical paths but Mato carried on with the Indigenous band name. “Playing with my family for 10 years was a lot of fun, but it was time to grow and keep moving forward.”
Mato continued touring and in 2006 released Chasing The Sun. Two of the cd’s songs, “Come On Home” and “Leaving”, were featured on the hit Discovery Channel show The Deadliest Catch. “Come on Home” was also featured on FX’s Sons of Anarchy.
On 2008’s Broken Lands, an intensely personal record, Mato and Leah, his lyricist and wife, pay tribute to his Native heritage. The album decries the poverty, isolation and reality of life on the reservation with “Place I Know.” The album gains its title from the line, “all is lost in these broken lands.”
Of The Acoustic Sessions (released in 2010), Mato commented, “It’s a collection of some of my favorite songs that celebrate 10 years of releasing albums. Every song that I have ever written began with the acoustic guitar, so it only felt natural to create an acoustic album.”
Indigenous featuring Mato Nanji (2012) would mark Nanji’s debut on the Blues Bureau International label and the beginning of his collaboration with noted producer, Mike Varney. Joining Mato on the disc’s opening track “Free Yourself, Free Your Mind” is the soulful Jonny Lang. On it, the two guitar-masters trade vocals and guitar solos. It’s truly a blues lover’s ‘match made in heaven’.
In addition to his Indigenous ‘day job’, Mato Nanji has been a member of the critically acclaimed Experience Hendrix Tour since 2002. Playing alongside original Jimi Hendrix band members Billy Cox and the late Mitch Mitchell, the tour roster includes some of today’s blues greats including Buddy Guy, Chris Layton and Tommy Shannon (Double Trouble), Jonny Lang, Kenny Wayne Shepherd, Eric Johnson, and Robert Randolph.
Once the 2012 Experience Hendrix Tour concluded, Mato and fellow EHT tour mates David Hidalgo (Los Lobos) and Luther Dickinson (North Mississippi Allstars) would collaborate and release the hard-driving, psychedelic blues-infused 3 Skulls and the Truth (Blues Bureau International) disc. The album’s no-holds barred setting is the ideal foundation for the three veteran axemen to simply ‘let it fly’.
February 2013 would bring the Mato Nanji-inspired release from trance-blues artist Otis Taylor,My World Is Gone (Telarc). Mato and Otis explore the plight of the American Indian people in a lightning bolt of musical creativity and social commentary. "Mato inspired the entire direction of this album," says Taylor. "We were talking about history backstage at a Jimi Hendrix tribute concert he had just played, and, in reference to his people, the Native American Nakota Nation, he said 'My world is gone.' The simplicity and honesty of those four words was so heavy, I know what I had to write about."
"My dad was my favorite musician so he really influenced me a lot with everything. I just felt it was time to pay tribute to him and his band," says Nanji. That tribute, Vanishing Americans, was released on May 21, 2013 and promptly found its place on iTunes Top 10 Blues Chart. Blues Rock Review (6/5/13) said: “each song is brought together with heavy and powerful guitar riffs akin to those of Carlos Santana and Jimi Hendrix, while bellowing, raspy vocals turn a talented guitarist’s vision into a relatable song for many, just as any praiseworthy blues album should.”
“Mato continues to refine his guitar and vocal vocabularies with each new release and is also expanding his songwriting skills with his wife Leah,” said producer Mike Varney of Time Is Coming (May 2014). From the infectious opening track of “Grey Skies”; the Soundgarden/Rage Against the Machine influenced “Won’t Be Around No More”; and the gut-wrenching blues of “Don’t Know What To Do”, and at all points in between, Mato Nanji “tears at his guitar strings, bending and shaking them to within an inch of their life, it is clear that he is no mere copyist. He is a genuine virtuoso…” (Rhys Williams, bluesblastmagazine.com 5/14).
Ultimately, Mato dedicates Time Is Coming, to the Indigenous youth and all young people on the Indigenous reservations. Of the song says Nanji; “still to this day, the struggle continues to just live in peace. Growing up here on the reservation I’ve seen a lot of broken families…broken homes. I feel our families’ “Tiospaye” are the core of what makes us who we are. Now family and its meaning is not as strong as it used to be for our people…almost non-existent. So I send my heart and soul out to the indigenous children having a tough time in their lives and in their homes. This record is inspired by them and made in their honor. I hope for the best for all. Tomorrow is another day.”
The Plateros, a three piece award winning family band from the Navajo Nation in Tohajiilee, New Mexico consider Mato Nanji and Indigenous one of their greatest musical influences.
Levi and The Plateros played their first show, a festival in Bird Springs, AZ in December 2004, and by April 2005, they would find themselves onstage performing at the largest PowWow in the world, The Gathering of Nations. Lead guitarist Levi, with his natural born talent, slid across the stage with power chords and screaming blues that amazed the packed crowd. He was just 13 years old.
In the years to follow, Levi, along with his cousins Douglas Platero on drums and Bronson Begay on bass would receive numerous nominations for native music and video awards, and their cd Hang On would take home a win for Best Blues Album at the 2009 New Mexico Music Awards.
In 2012, they joined Indigenous for The Kinship Tour, with The Plateros opening the double bill. They would join Mato for blistering encores that would bring the proverbial house down.
Touring in support of Time Is Coming in the summer of 2014, Mato Nanji would once again call on Levi, Douglas and Bronson to hit the road with him. This time, though, would be different. They would be onstage as Indigenous' rhythm section; Mato and Levi trading leads and solos while Bronson and Douglas provided the strong, stable rhythmic foundation that allowed the two guitarists to 'tear it up'.
As the band made its way across the east coast, the after show buzz was audible. The incendiary chemistry of Mato Nanji, Levi Platero, Bronson Begay and Douglas Platero innate.
They are Indigenous.
ANNE HARRIS “Once you have witnessed Anne Harris play the violin, you aren’t likely to forget the experience any time soon. It’s not just the wondrous music she makes drawing her bow across the strings, it’s also the way the spirit of the music emanates from her physically. She inhabits the music, or maybe the music inhabits her, but it is impossible not to be drawn under her spell.” (BluesWax) Blues is an expressive art form and nowhere can you find a more expressive Bluesician than the mystic violinist, Anne Harris. Rolling, blending and folding in a variety of musical influences from Celtic to Americana to Funk she embodies a musical genre-morphing Blues sound that is all her own. Anne is an internationally recognized instrumental talent that has captivated audiences around the globe. Her command of the stage is punctuated with a free reeling and coiling whirlwind of sound and visual excitement. Her gypsy-like stage presence is truly unforgettable and revolutionary in the ever expanding Blues genre. (Big Blues Bender) The Chicago-based singer-songwriter and fiddle player has indeed been crafting and evolving her unique sound spanning five indie studio records and countless live performances. She’s also played fiddle live or in-studio with numerous other artists, including blues harp virtuoso and 3- time GRAMMY nominee Billy Branch, GRAMMY winner Terrance Simien, Anders Osborne, Tab Benoit, blues icon Bob Margolin, Living Colour, Moreland & Arbuckle, David Mayfield, Amy Helm, Cathy Richardson and occasional stints with hippie legends Jefferson Starship. But her highest profile to date has risen from her work with trance-blues innovator and multiBlues Music Award winner, Otis Taylor, with whom she’s currently touring internationally. “Over the past several years, Harris has become an integral part of Taylor’s sound both on stage and on record, adding another element to his diverse instrumentation … and adding a visual element that takes the celebratory spirit up a couple of notches.“ (Blues Music Magazine) Expounds Julie Jenkins in The Golden Gate Blues Society Newsletter, “The beauty of Anne’s ability to play the violin while dancing as gracefully as a swan and as powerfully as a shaman, moved me to joyful tears. Bearing witness to her performance left me completely awestruck and mesmerized. To watch her perform is hypnotizing.” Harris’ highly visual performances have understandably been garnering much attention in the photography world, earning her the cover of a popular blues calendar, a feature in renowned photographer Marilyn Stringer's seminal book, Blues in the 21st Century, placement in several gallery exhibitions in France, Poland and the US, and a recent portrait by renown painter Dane Tilghman. Her latest projects include performing with American Roots artists Ivan Neville and Cris Jacobs in their new band Neville Jacobs and a collaboration with alt-blues journeyman Markus James on a forthcoming EP
Sunfeathr aka Aidan Sheahan is a producer and DJ from Boulder Colorado. An environmental activist, and Warrior to protect Grandmother Earth, his sound is created with the intention of providing an experience of the natural world. Aidan grew up in the mountains, was a pro slopestyle skier and began producing music in college at CU Boulder. He created Sunfeathr in Spring 2015. His Tedtalk KC called Breathelab uses music and breath work in an inspirational way to be connected to peace inside and out.
INTUIT is a successful little band with a big purpose based in Boulder, Colorado. If you've ever been to an Intuit show...you know. These songs are sound waves organized with intention and love. This is music to bring us out of our heads and into our hearts. This is music to dissolve separation and bring communities together.
Braiding sounds from many cultures, Intuit weaves an auditory tapestry of reggae, blues, African poly-rhythm, folk, funk and jazz. The rootsy groove is fueled by the impeccable rhythm section of drummer Jonny Jyemo, percussionist Scott Parker-Mast, and bassist Julian Yeats. Lyrical prowess and songwriting from guitarist Neil Sullivan and cellist Chloe Watkins display the heart-centered, earth-minded intention to their music.
TIERR BAND delivers a tribal beat, mystic, trance, dance experience. Sensual melodies rip into a fusion of earth shaking rhythms that insist you follow, dance, and let go of your inhibitions. Backed up by the drumming skills of Jonny Jyemo, and bass master Charlie Parker, Tierro's lead guitar stylings conjure up images of Carlos Castaneda, Santana, David Gilmore and Ravi Shankar. Recently added, is the vivacious and sweet vocals and violin playing of Miss Bridget Law known for her work with the Nederland-birthed band Elephant Revival. These musicians enjoy the music they are making infectiously and within only a few minutes draw the whole room into a unifying trance.