Live eTown Radio Show Taping w/ Marlon Williams & Esmé Patterson
- When: March 12, 2018 Time: 7:00 pm - 9:00 pm
- Where: eTOWN HALL / 1535 Spruce Street, Boulder, CO 80302
- Cost: $25 Plus Applicable Service Fees
More than just a regular concert, eTown is a unique live experience! Audience members will watch the eTown Broadcast recorded before their eyes, complete with performances and interviews with both of our visiting artists, as well as the eChievement Award segment, eTown's opportunity to honor everyday heroes who are doing their part to make the world a better place. You won't want to miss it!
Show Start: 7:00pm
Show End: 9:00pm
MAKE WAY FOR A NEWLY PERSONAL MARLON WILLIAMS, ON HIS SECOND ALBUM, MAKE WAY FOR LOVE
New Zealand’s Marlon Williams has quite simply got one of the most extraordinary, effortlessly distinctive voices of his generation—a fact well known to fans of his first, self-titled solo album, and his captivating live shows. An otherworldly instrument with an affecting vibrato, it’s a voice that’s earned repeated comparisons to the great Roy Orbison, and even briefly had Williams, in his youth, consider a career in classical singing, before realizing his temperament was more Stratocaster than Stradivarius.
But it’s the art of songwriting that has bedeviled the artist, and into which he has grown exponentially on his second album, Make Way For Love, out in February of 2018. It’s Marlon Williams like you’ve never heard him before—exploring new musical terrain and revealing himself in an unprecedented way, in the wake of a fractured relationship.
In early December, Williams and his longtime girlfriend, musician Aldous (Hannah) Harding, broke up—the end of a relationship that brought together two of Down Under’s most acclaimed talents of recent years, who’d managed to navigate the challenges of having equally ascendant—though separate—careers, until they couldn’t.
While personally wrenching, the split seemed to open the floodgates for Williams as a writer. “Then I wrote about fifteen songs in a month,” he recalls. The biggest challenge was then condensing often complex, conflicted emotions and doing them justice, and while Make Way For Love draws on Williams’ own story, it captures the vagaries of relationships we’ve all been through in remarkably universal terms.
Williams flipped the script recording-wise as well. After three weeks of pre-production with regular collaborator Ben Edwards, Williams and his backing band, The Yarra Benders, then decamped 7000 miles away, to Northern California’s Panoramic Studios, to record with producer Noah Georgeson, who’s helmed baroque pop and alt-folk gems by Joanna Newsom, Adam Green, Little Joy and Devendra Banhart. “I was a really big fan of those Cate Le Bon records he did [Mug Museum, Crab Day],” Williams says. “I was obsessed with those albums.”
If the idea in going so far from home to make the new record was to shake things up and get out of his Kiwi comfort zone, Williams succeeded—to the point where at first he wondered if he’d gone too far. “The first couple of days I nearly had a breakdown,” he recalls. “Just cause I got there and I’m working with Noah on this really personal record having only met twice before over a coffee.” But he needn’t worry. He and Georgeson settled into a zone over twelve days of recording, and aided by incredible performances from The Yarra Benders, they have, in Make Way For Love, a triumph on their hands.
The record also moves Williams several paces away from “country”—the genre that’s been affixed to him more than any in recent years. Make Way For Love, with forays into cinematic strings, reverb, rollicking guitar and at least one quiet piano ballad, is a more expansive affair. “I think just having the time,” he explains, “and having just finished a cycle of playing these quite heavily country-leaning songs for the last three or four years, and playing them a lot, has definitely pushed me into exploring other things.”
On the live front, Williams—who’s been a road dog in recent years, touring with everyone from Band Of Horses, City & Colour, Iron & Wine’s Sam Beam, to the one and only Bruce Springsteen, performing at the likes of Austin City Limits and Newport Folk Festival, and building a loyal following for his phenomenal headline shows. Williams will kick off 2018 with a 50 plus date global tour, taking the music of Make Way For Love far and wide. They’re songs that need to be heard by anyone who’s ever loved, and lost, and loved again.
If “breakup record” is a trope—and certainly it is—then Marlon Williams has done it proud. Like the best of the lot—Beck’s Sea Change, Bon Iver’s For Emma, Forever Ago, Phosphorescent’s harrowing “Song For Zula” and Joni Mitchell’s masterpiece Blue, Make Way For Love doesn’t shy away from heartbreak, but rather stares it in the face, and mines beauty from it. Delicate and bold, tender and searing, it’s a mightily personal new step.
Denver, CO's own Esmé Patterson has been making waves all around the country since going solo in 2012 (she was previously in Denver-based Paper Bird). Some of you may remember her sharing the eTown stage with Shakey Graves back in 2014. Patterson’s voice is smooth and sweet when she wants it to be, and then fully rock and roll when you least expect it. Each of Patterson’s songs listens like an intensely personal diary entry, and you’ll likely find yourself relating to all of them with wide-eyed wonder.
eChievement Award: Doug Vilsack
Doug Vilsack is our featured eChievement Award winner. While working in Namibia for the WWF, Doug noticed a severe gap in the energy access in Katima Mulilo, a small region in the North of the country. Farmers needed lights to protect their fields from elephants who would destroy their crop at night. He reached out to friends and family to raise funds for the first round of solar lights to be distributed in Namibia. Since then, his organization, Elephant Energy, has spread to 8 regions and adopted a social enterprise model, selling lights, and generating income throughout the rural North of the country.