When:April 11, 2019
Time:7:00 pm - 9:00 pm
Cost: $38 Plus Applicable Service Fees
SOLD OUT // Join the Waitlist
More than just a regular concert, eTown is a unique live experience! Audience members will watch the eTown Broadcast recorded before their eyes, complete with performances and interviews with both of our visiting artists, as well as the eChievement Award segment, eTown's opportunity to honor everyday heroes who are doing their part to make the world a better place.
Doors: 6:00pm
Show Start: 7:00pm
Presented by
DeVotchKa
DeVotchKa is a four-piece multi-instrumental and vocal ensemble. They take their name from the Russian word devochka (девочка), meaning "girl". Based in Denver, Colorado, the quartet is made up of Nick Urata, who sings and plays theremin, guitar, bouzouki, piano, and trumpet; Tom Hagerman, who plays violin, accordion, and piano; Jeanie Schroder, who sings and plays sousaphone, double bass, and flute; and Shawn King, who plays percussion and trumpet.
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Kyle Emerson
Folk rock guitarist and singer-songwriter Kyle Emerson broke out with his debut EP, 'Worth It', in May of 2017. With that first release, Emerson has quickly become one of Denver's most promising talents. Mixing swift finger-picking, breathy vocals, and tell-all-lyrics, Emerson tight ropes a blend of the harmonious folk rock of the 60's with a twist of modern sonics.
On his debut full-length, 'Dorothy Alice' (via Guilty Pleasure Records), Emerson showcases a poise and maturity for the craft of songwriting far beyond his years.
Having opened for artists over the years such as Charles Bradley, The Districts, Jeff the Brotherhood, La Luz, Twin Peaks, Israel Nash, Anderson East, Wild Child and more, Emerson continues to solidify his presence as an artist on the rise.
"... a scoop of Ryley Walker, a sprinkle of Elliott Smith - that’s different and gripping enough to peg Emerson as Denver’s next artist to watch." - Denver Post
"The album is a blend of rich psychedelic folk that couples the trippy, dripping harmonies of early Beach Boys (See: “Dorothy Alice”) with the pop sensibilities of The Beatles’ more far-out tracks (See “Post Egomania”)...he is able to tackle some far-reaching soundscapes and open a bevy of psychedelic doors, while also keeping the album light, approachable and captivating" - Marquee Magazine