Homevibe & eTown present Seth Walker, Ezra Bell & Shanna in a Dress
- When: July 19, 2019 Time: 7:00 pm - 9:00 pm
- Where: eTOWN HALL / 1535 Spruce Street, Boulder, CO 80302
- Cost: $28.50 GA || $40 Reserved || $32 Day of Show (Plus Applicable Service Fees)
Join us at eTown Hall for an intimate evening of music with Seth Walker and Ezra Bell!
Unlike eTown's Live Radio Show Tapings, our 'Homevibe & eTown present' series are uninterrupted full concerts that take place in eTown's solar-powered home in Boulder, CO, eTown Hall.
Doors at 6:00pm
Show at 7:00pm
“Are You Open?” Seth Walker sings on his transfixing new album of the same title. More than just a question, it’s a challenge, an invitation, a dare. “To me, being open means being vulnerable and exposed,” explains Walker, “but that’s where the little nuggets of creative gold come from. I never planned an overall concept for this record, but each of these songs seemed to spin out from asking myself that one simple question.”
Produced by The Wood Brothers' Jano Rix, ‘Are You Open’ marks Seth Walker's tenth studio recording, and the music is undoubtedly his most inventive, exploring new sounds and textures as he examines what it means to truly be open, both as an artist and more broadly as a human in today's increasingly more complicated world. The songwriting here is bold and infectious, featuring melodies and rhythms drawn from Walker’s time spent in Havana and filtered through his split-screen life in New Orleans and Nashville. The result is a melting pot of sounds and perspectives, a soulful brew of roots music from the Americas and beyond. Songs frequently build off of a single chord, shifting in color and tone as they ebb and flow and stack layer upon layer over hypnotic bass lines and percussion grooves. The record features Walker’s guitar playing more heavily than ever before, and the new approach suits him well, showcasing a melodic prowess to match his prodigious lyrical gifts.
‘Are You Open?’ follows 2016’s critically acclaimed ‘Gotta Get Back,’ a stunning collection that found Walker excavating the roots of his love affair with music by reuniting the family that first sparked his fire as a child. That album traced its origins back to Walker’s native North Carolina, where he grew up on a multi-family commune and studied classical violin and cello before ultimately discovering his passion for soul, jazz, blues, and folk. He’d go on to deftly mix all those genres and more in his work as a solo artist, organically building up a celebrated two-decade career that’s earned him praise everywhere from The Washington Post to NPR, who hailed his "hard-driving" songs and "sweet tenor," in addition to landing him dates with The Mavericks, The Wood Brothers, Raul Malo, Paul Thorn and Ruthie Foster, among others.
Ezra Bell's first full-length debut features ebullient soul twang, flowing and leaping like the music of a late 60s/early 70s recording of well-trained freaks dabbling in various genres. This Portland band sounds like they effortlessly recorded one of those forgotten-gem "cult albums", despite it being early 2018. After three well-received EPs and playing regularly in Portland since 2013, the playfully literate and cheerfully plaintive Benjamin Wuamett and his gaggle of quite fit players, conjure up a festive dusky folk-rock-blues-jazz-R&B-pop vibe that doesn't smother out the melancholy.
These haunted stories include key tracks "Tourists" ("This one is about realizing the game is rigged, but you still have to play; it's the only game in town"); "Yawning at the Seance ("This one is about the stories we tell ourselves in order to feel like everything is okay"), and "Let Me Do the Talking." About that last one: "The opening line is a rip-off of something the boxer Jack Johnson said when asked how he managed to so intrigue women. He said 'eat jellied eels and think distant thoughts.' I think it's one of the great travesties (and a telling indictment of our society) of our time that a great man's name has been usurped by some surfer singing about breakfast." The glistening, giddy music on these tracks help to document the car-wreck gas-lit lifestyles Wuamett masterfully describes. He displays gleaming shards of a self-depreciative self-awareness but also someone busy getting lost. "The overall theme going into this?" Wuamett answers to what the album is about. "Desperation. A call to arms. A whimper. A declaration that being witty by yourself at 4 AM in a basement, is a poor way to live."
Ezra Bell features Maurice Spencer (bass), Tom Trotter (drums), Aaron Mattison (horns and arrangements), Honora Hildreth (backing vocals and percussion), and Jeremy Asay (keys and guitar) more-than-ably backing up Wuamett's story-songs and satirical jigs with organic precision.
Shanna in a Dress
Shanna in a Dress is your quirky best friend who refuses to wear pants. A fun combination of humor, truth, and poignancy all wrapped up in a sweet voice, this witty wordsmith calls what she does "snarky folk pop from a clever millennial who sucks at dating." She has been performing since her days at the University of Virginia where she attracted a loyal following of fans that loved her feel-good energy, catchy melodies, and entertainingly interactive stage banter.
Shanna is a diverse songwriter with a playful setlist that manages to teeter the line masterfully of taking on complex subject matters with smart, yet accessible lyrics. Her songs are laden with clever wordplay and are relatable across all ages as she hops back and forth between the guitar, ukulele, and piano to accompany herself.
Shanna in a Dress released her first EP More Than Just a Hoar in 2012 after a successful Kickstarter campaign. She successfully crowdfunded in June 2018 and her next set of recordings is currently in production. Her style is often compared to Ingrid Michaelson, Colbie Caillat and Jason Mraz. Shanna hosts a monthly showcase called Women in Song in Boulder, CO and tours locally and internationally.