eTown at Red Rocks Amphitheatre w/ The Wood Brothers, Fruition, Steep Canyon Rangers
- When: September 5, 2019 Time: 6:30 pm - 10:30 pm
- Where: Red Rocks Amphitheatre / 18300 W Alameda Pkwy, Morrison, CO
- Cost: $45.25 - $70.25 Plus Applicable Service Fees
Tickets On-Sale March 1st
eTown is thrilled to be heading back to the legendary Red Rocks Park and Amphitheatre on September 5th, this time to record three of our favorite artists: The Wood Brothers, Fruition, and the Steep Canyon Rangers.
Every year, eTown partners with AEG Presents Rocky Mountains to create a remarkable radio show from one of the world’s most spectacular concert venues. We’ll be doing the interviews with the artists backstage, so the live show will be uninterrupted. Come join us if you can as eTown, Colorado’s longest-running national radio show, teams up with The Wood Brothers, Fruition, and the Steep Canyon Rangers for a memorable night of music under the stars.
The Wood Brothers
“It’s the freest album we’ve done, the most independent album we’ve done, and was the most fun we’ve ever had making a record,” says Oliver Wood. “And most importantly, this is the most purely Wood Brothers’ album we’ve ever made.”
Indeed, The Wood Brothers’ sixth outing, ‘One Drop of Truth,’ dives headfirst into a deep wellspring of sounds, styles and influences. Whereas their previous outings have often followed a conceptual and sonic through-line, here the long-standing trio featuring brothers Oliver and Chris Wood along with Jano Rix treat each song as if it were its own short film. The plaintive, country-folk of the album’s opening track “River Takes The Town” gives way to the The Band-esque Americana soul of “Happiness Jones.” The wistful ballad “Strange As It Seems” floats on a cloud of stream of consciousness, standing in stark contrast to “Sky High”—a Saturday night barnburner built upon stinging slide guitar funk. “Seasick Emotions” is rife with turmoil, yet “Sparking Wine” is jaunty and carefree. The end result is undeniably The Wood Brothers’ most dynamic recording to date.
“Often, when you’re making an album in the traditional way, there will be a unifying concept, whether that be in the approach to the music stylistically or lyrically in terms over the overall narrative. And even though there are some themes that revealed themselves later, this one is all over the place,” explains Oliver Wood. “What I really love about this record is that each one of these songs has its own little world. There are diver-se sounds and vibes from one track to the next.”
Jay Cobb Anderson (vocals, lead guitar, harmonica) / Kellen Asebroek (vocals, rhythm guitar, piano) / Mimi Naja (vocals, mandolin, electric & acoustic guitar) / Jeff Leonard (bass) / Tyler Thompson (drums, banjo)
On their fifth full-length, Watching It All Fall Apart, Fruition transform pain and heartache into something truly glorious. With their songwriting sharper and more nuanced than ever before—and their sonic palette more daringly expansive—the Portland, Oregon-based band’s full-hearted intensity ultimately gives the album a transcendent power.
“The songs are mostly breakup songs,” says Asebroek. “There was love and now it’s gone—we fucked it up, or some outside circumstance brought it to an end. It’s about dealing with all that but still having hope in your heart, even if you’re feeling a little lost and jaded.”
In a departure from their usual DIY approach, Fruition teamed up with producer/mixer Tucker Martine (My Morning Jacket, The Decemberists, First Aid Kit, case/lang/veirs) to adorn their folk-rooted sound with delicately crafted elements of psychedelia and soul. Showcasing the sublime harmonies the band first discovered during an impromptu busking session in 2008, Watching It All Fall Apart also finds Fruition more fully embracing their rock-and-roll sensibilities and bringing a gritty vitality to each track. “We’ve been a band almost ten years now, and we’re at the point of being comfortable in our skin and unafraid to be whatever we want as time goes on,” Anderson notes.
Steep Canyon Rangers
With OUT IN THE OPEN, Steep Canyon Rangers affirm their place as one of the most versatile bands in contemporary American music. The GRAMMY® Award-winning sextet has spent nearly two decades bending and shaping the bluegrass aesthetic, wedding it to elements of pop, country, and folk rock to create something original. OUT IN THE OPEN is the Rangers bravest excursion thus far, transcending bluegrass while also getting closest to the genre’s true form thanks to 3x GRAMMY® Award-winning producer Joe Henry’s traditional approach toward recording.
Since Steep Canyon Rangers came together in 2000, they have developed a remarkable catalogue of original music that links them to the past while also demonstrating their ambitious intent to bring string-based music into contemporary relevance.
In July 2017, Steep Canyon Rangers arrived at Fidelitorium Recordings, an intimate studio facility built, owned, and operated by legendary producer Mitch Easter. The band soon discovered that their producer – along with engineer/mixer Jason Richmond – intended to record all six members singing and playing in a room with no overdubs. The organic process allowed SCR to work fast, tracking a dozen songs in just three-and-a-half days. Steep Canyon Rangers are easily among the hardest working bands in any genre, pulling double duty on their own and as collaborators with Steve Martin.
OUT IN THE OPEN is an undeniable milestone on the Rangers ongoing creative journey. As they approach their second decade, Steep Canyon Rangers are still moving forward, searching for new horizons and musical vistas.